Interesting session with channelled entity Mercredan on how to change your life or career pathway yesterday. The transcript is below. Francis and I haven’t done many sessions over the past month or so. He was moving countries and I was looking at all the material he’d given me over the past 5 years thinking “I really have more than enough here to write my book” but struggling to find where to start.
This session describes the difference between a viewpoint and perspective and how altering your focus (think about a camera lens) on both is how your pathway opens up.
So, say you’ve been running your life a certain way and you are finding a part of it is a struggle. You set out a new desire of what you would prefer which changes your view point. If you’re still looking at it with your old way of doing things you won’t have shifted your perspective and you’ll find it hard to see the way forward. The new viewpoint will be blurry so focussing more on that new viewpoint and altering your perspective bit by bit will clarify what you have in front of you and the options and opportunities will come into view.
Have a read and see what you think. If you have any questions about it feel free to ask me on the Facebook page in the link at the bottom. (Blue text)
Annabelle
Mercredan session
Channelled by Francis Evans
Interviewed by Annabelle Drumm
5 September 2016
Topics: creation of all options coexisting, viewpoint and perspective, changing direction, ropes tied to the dock/shore, anchor on the boat, elastic on the bicycle wheel, resistance to new pathways
BEGIN
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M: Good afternoon. Once again it is my privilege and pleasure to come and spend these few moments of your time.
Creation of all possibilities
M: Time, as you are well aware, is meaningless on the inner planes. Everything occurs in its own framework and even as things appear in sequence it is not really as it actually occurs. There are so many avenues One could take from this direction so let us begin a conversation.
A: OK. Maybe a little theory before we get into practical. So, the idea of what you have just said there, things moving in sequences, you’re saying that’s not how they occur. How do they occur instead? Do they all get created within the moment of creation?
M: Shall we say, one’s appreciation of the sequence of things is compacted. In many senses, one finds it difficult that we could just as well imagine that it is a stack of pages, each one purporting to one particular framework and so on. So, in a way, that both occur at the same time. In one way of looking at things, everything is a sequence and at the same time it is all occurring at the same time. It is extraordinarily hard for the mind, that is the rational mind, to find order in that statement.
A: Mm though I remember you saying that time all exists on the same plane – or coexists – so I sort of understand that. Though I’m wondering when a sequence of occurrences happen, all the other options as to how that could vary, they must all be created in their pile of pages at the same time.
M: Of course and that is the point.
A: Yes, that’s why its hard to picture, isn’t it.
M: You understand the many levels of that is what you call dimensions of reality. So it is always difficult to try to describe something that is well beyond your normal operational degrees.
A: OK, I sort of see where that goes. Then, if you start off by creating something and the pile of pages comes about at the same time with the sequenced events, if you were in the habit of producing one thing (i.e.. being predictable) does it just become a higher probability that that is likely the way it will go?
M: Of course. If one believes in a certain track, then one stays on that particular track.
A: Right but if someone decides to do something radical and do it different from how they’ve always done it, and move away from the regular probability, is that when the variations are created or were they always there?
M: Always there.
A: Right (laughs)
M: In the background every option is always there even those less likely and less formed. Shall we suggest, if you take your camera lens and you begin to focus, first of all it is a very blurry image. Not even can be maintained and as you approach closer to the point of focus one starts to see a degree of clarity until you are in the focussed reality and if you keep moving on, it becomes less and less focussed again. You understand, every part of that focus is focussed on something. So if you take your camera as it is defocussed and you turn around, you will start to see some things coming into focus at a separate distance. Everything then in front of that camera lens can be turned to and it will come into focus. So that is more really how it operates. One has a certain mindset and one changes one’s mindset. Suddenly what is in front of you makes less sense or is less important and when you turn your mind to either side, suddenly something seems to be more the way forward.
A: Right, ok.
M: And in that sense, it is seemingly seamless. As if nothing of course changed. It does not seem as if you changed the focus of your mind but, as the camera lens, it is exactly the same. Whatever you put your attention on will become in line with the focus provided you angle your lens in its direction. Simply changing one’s focus and then not moving the direction of it will not make anything occur.
(This makes me think of dreaming up a new way of life, new car, new beau… whatever you want to dream, then not making any move towards it means you will always be living in a dreamworld. Setting a new focus, then turning towards that direction and making a move is how you get the pathways to open up. )
A: It will just be blurry. OK so if I apply this theory to the things I have been focussed on which is a new project for me and to open myself up to hear Source more directly, I feel like I’ve been focussed on these things for quite some time, do I need to turn myself sideways to find something that’s more clear?
M: Let us put it in the other direction. If you turn sideways and you are looking but your mind is focussed on what is to be, then nothing will seem in focus. The mind has to re-orientate itself. The mind has to shift just as much as one’s viewpoint. In other words, One’s viewpoint and One’s perspective are true variables within the context of One’s creative form.
A: Can you explain the difference between the viewpoint and the perspective?
M: The viewpoint is if you are standing in front of your window looking out and you turn your head to the side, then you see something different. That is a shift in viewpoint. If you are looking out of the window and thinking how sunny it is and how wonderful to get out in it and you turn your head sideways and you look at the wall, in the same perspective it will not be in any way focussed. It is because the perspective is not in alignment with the viewpoint. Does that follow?
A: Yep
M: Then if you are looking at the wall and you begin to shift your perspective, then you will start to see what it is in front of you.
A: The detail
M: You will start to see the detail of the wall and even in that there might be more direction than there was previously in what one has already ascribed as the difference between —— and “ordinaryness”. There are these variable qualities that one can apply in any specific route. So if you want to change your direction, you change your viewpoint and now you have to begin to free oneself up from the old patterns of thought. The old ways of focussing and begin to open oneself up for what lies in that zone, if you like. One has to begin to test the focussing to see what comes into view, what comes into clarity. Does that make sense?
A: Sort of. I’m struggling to hear all your words because of the quality of this connection.
M: Shall we talk again. The difference between a viewpoint. One shifts one’s way forward, one deletes the old pathway and starts down a new pathway but One’s attention is still on the old pathway. One’s ideas about self are still on the old pathway. Of course if you do that you are bound to trip up and fall in the mud because the attention is not on the direction you are going. The problem for most people is, it is so easy to have a fixed mind. The mindset is set. The beliefs and the requirements are set in to such a fixed order that change to new direction, one thinks you can apply the same rules. Well that is not the case.
A: Right, so if I have shifted my viewpoint, say going from looking out the window to looking at the wall, that if I now change my focus, more things will come clear to me as to…
M: Of course. The question is how to change your focus,
A: Yeh!
M: how to free up your focus. You are holding on to old outdated, outmoded ideas about the world, your place in it, your ideas of yourself and all these other things. One would have to find freedom to be anything. One would have to drop the qualities and ideas that you hold. You have to free yourself from your fixed notions and they can be quite deeply embedded.
A: So my path may be something quite different from what I have seen other people take.
M: And what you imagine. You are imagining there is one set of mind —- but one has changed one’s viewpoint. So as you go down the track, tripping up and being buffeted by wind and so forth, one can hardly expect to find the quality needed to navigate.
A: Yes it makes a very rough ride.
M: The difficulty is how can you change your viewpoint and how can you change your perspective? How is it you can review one’s ideas of Self? It is important as we have said in the past to make an inventory of your qualities and these are the qualities that you think you have may be focussed on an old pathway, an old direction.
A: Well then how can you tell what other qualities there are if they are based on the old pathway? We are looking discover qualities that I haven’t thought of before.
M: Exactly. One has to have inventory in order to understand whether they are still applying the same focus.
A: Right because I think I’ve been missing doing the inventory. I’ve been sitting here going well, do we just say “Who am I?” Do we start again. Surely not.
M: Of course.
A: Yes?
M: Of course! Of course. Who are you? You have to ask the question. “Who am I?” You understand, when you can realise you do not have an answer for that, then of course your perspective is free. Then you can find out “What is it I need to be on this journey?”
A: That’s when we find out?
M: I am saying that is the question that you ask once you are free of the old then you are not limited by saying to yourself “In my old pattern I did not have that ability or “That need is in conflict with my duress”. If it is what is needed, then that is what it looks like because it is a perspective. It is not the ultimate and the absolute truth which of course is that everything is created. (i.e. all the options have already been laid out) Therefore in your storybook, in your novel, you can choose any road. You can be any character. You can have a head injury and suddenly you are a different person. You can have a knock out and wake up and not even know who you are anymore and you have to find out. Then you can go around trying to find your friends and family to find out who you are. Otherwise you would have to be who you want to make yourself in this period.
A: Yes, which is disconcerting for those who know you and are trying to remind you of who you were.
M: Of course and they will try to push you back into the spot that you left. They don’t know that your path and your viewpoint has shifted to radically.
A: OK. So there’s a good exercise in that for me to work on as to try and lose the preconceived ideas.
M: All of it! Do you understand, you can have a lot of fun with this or you can struggle. You can be outlandish at times and that is fun or you can try to force your way forward and that is not.
A: Right so it’s playtime then.
M: Of course, everything else is resistant to shift in consciousness. That is why consciousness seems to be so slow in its progress and yet, as I keep pointing out, it is ultimately fast. Let us give you an analogy.
Elastic on the bicycle wheel
M: The wheel on the bicycle is always moving. There is no possibility of it stopping. However, if you tied a big elastic band to your bicycle wheel and you are riding away and it is anchored to the tree, the ride will get endlessly more and more difficult until the elastic band snaps and then it will smack you on the head.
A: (laughs)
M: And then you will be moving ahead at the pace you should have been. You will catch up. But of course you would have taken a whipping along with it.
A: So, I have too many elastic bands tied to my wheel at the moment, do I?
M: Of course because you want to hold on to old as well.
A: I think identifying the bits I am holding on to would make a big difference in me being able to let them go. I often sit here wondering how do I know what things I am holding onto when I can’t see what I’m holding on to?
M: The security blanket of old systems as if everything is a weight. Every part of life is a struggle. What we are saying is you can easily identify the elastic band when it becomes a struggle to move forward.
A: Yes that easy. You can do that one piece at a time, can’t you.
M: Of course you can. Then you can say to yourself “This is a struggle.” So how do you stop struggling if you shifted your perspective? That might be more than one focal point. Perhaps you find one focus but that in itself may not be the only focus. One might have to shift the viewpoint a little further and find yet a different possibility.
A: Yes. OK that’s lovely guidance.
M: You have two variables and the solution to their equation is in variable positions. There are “multitudinal” places where focus – that is perspective and viewpoint – meet/need a focal plane. So one has to review all of it and holding on to one anchor will still not allow the boat to move freely in the ocean.
Boat with the anchor and tied to the shore
A: Yes, I’ve held that analogy for a long time and it feels like I just need to identify what that rope is – it’s the same as the elastic band – because then it’s quite easy for me to figure out how to let it go.
M: Shall we say there are in this case two ropes holding the boat to shore and you cast off the two ropes and you sail out in to the ocean. However you did not remember that the anchor was still down in the depths. Even though it appears you can move you are still dragging [on] the ocean floor.
A: Can you help me identify the two ropes?
M: The two ropes are easily cast off. You can see what they are and to a large extent they have already been cast. Not always from one’s own movement. One was cast off and the other was cast by somebody else. That is you are set free, you were given your “marching orders” as it were. But even then, hidden in the depths is the old security anchor. The one that always is conservative. The one that always wants to understand to make sense of it, to be rational about it. So you understand what I mean. You set your sights on something that cannot be sustained within the rational mind and then you hold firmly to the rational mind. Now you are in conflict wanting to sail free but the anchor is firmly lodged on the bottom.
A: OK. Alright. So time to be irrational and spontaneous and uh…
M: And stop being who you think you are. You understand what I mean by that. Because it seems to be madness itself and yet the great poets have always recommended madness.
A: (laughs) Ok
M: You understand, if you want to see the divine, then one has to engage in madness. Does that make sense?
A: It does thank you. I think that’s given me plenty to think about. Thank you so much.
M: Then once again, the pleasure is all mine. Thank you for your time, your cooperation and let us keep abreast of the directions as they open up.
A: OK
M: Thank you and good afternoon.
A: Good afternoon.
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END
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